Task 9a, p. 58: extracts from film reviews

Deadline:

"Danny Boyle's direction is flawless and really keeps this thing moving, avoiding the static pace it might have been in lesser hands. The result is well worth it, and those magical words provided lots of opportunity for great acting performances led by Michael Fassbender’s spot-on and relentless portrayal of the not-very-likable computer genius."

Variety:

"The picture’s major visual coup is the decision to shoot the three acts on three different formats: grainy 16mm film for 1984, lustrous 35mm for 1988, and sleek, high-definition digital for 1998."

The Independent:

"Danny Boyle captures the Apple guru's showmanship but the film runs out of steam."

Financial Times:

"Some commentators have called the film unkind. Don’t they know the reputation Jobs already has, at least with some? Manipulative, coldhearted, egotistical, ungenerous with praise, a financial miser."

Rolling Stone:

"In Steve Jobs, sure to rank with the year's very best films, we see the circuits without ever diminishing the renegade whose vision is still changing our digital lives."

Film critic Roger Ebert:

"Danny Boyle’s thrilling film, which takes place behind the scenes at three key product launches during the late Jobs’ career, begins with the Apple co-founder freaking out minutes before introducing the Macintosh in 1984 because his team couldn’t get it to say "hello." It was nitpicky and obsessive – qualities he was famous for – but he was also onto something, as we now know: this idea of technology serving as a constant and comforting companion."

Scene from the movie Scene from the movie